ORGANIZER: Kristin Sharp, Amanda Wells, Susan Spit-Fire Lively and Michael Castro
CONTACT:silsharp@yahoo.com
DESCRIPTION: We have asked all of the coordinators of the local STL poetry shows to collaborate on a show called ‘Joining the Global Voice’ at the Regional Arts Commission in University City.
100,000 Poets for Change – Joining the Global Voice
Time
Saturday, September 24 · 11:00am – 4:00pm
Location
Regional Arts Commission
6128 Delmar Blvd.
St. Louis, MO 63112
Created By
Susan SpitFire Lively
More Info
“Joining the Global Voice” is an offshoot of the world-wide event 100,000 Poets for Change (created by Michael Rothenberg and Terri Carrion). 100,000 Poets for Change, the largest poetry event in history, will be televised and also recorded by Stanford University for placement in their LOCKSS System. Held at The Regional Arts Commission, the daytime show (the first of two St. Louis events) will feature a marathon number of performers, with the goal being 100 poets in 300 minutes, focusing on voices both heard and unheard. Organized by Kristin Sharp with assistance from local Poets and Producers such as MK Stallings, Nicky Rainey, Lisa Odak-Ebert, Byron Lee, Michael Castro, and myself, this event will be hosted by Amanda Wells. “Joining the Global Voice” is free and open to the public, and refreshments and snacks will also be provided. Some of the features include my dear friends Mali Newman (Poet and award-winning Playwright) and Black Falcon (Spoken Word Artist and Multi-Slam Champion). To learn more, please visit the website http://www.100+pc.org/
ADDITIONAL ST. LOUIS ARCHIVES: https://www.100tpcmedia.org/index.html
Regional Arts Commission 6128 Delmar Boulevard Saint Louis, MO 63112
100 Thousand Poets for Change: Joining the Global Voice
Regional Arts Commission in the University City Loop
September 24th
11:00am to 4:00pm
100 Thousand Poets for Change is GLOBAL gathering of poets to speak up and out for CHANGE and PEACE. In St. Louis there will be two shows on September 24th at the Regional Arts Commission during the day and in the evening at The Way Out Club (more information about the evening event TBA). For the ‘Joining the Global Voice’ daytime event our goal is to get 100 poets to read in 300 minutes. This marathon of poetry will feature poets from the local poetry community and those who are not often heard. They will be sharing what they think, care about and what changes are needed on an individual, community, national and global level. Some topics examples are social, political, environmental, war, healthcare, racial and global issues and peace (just to name a few). Feel free to look at the website http://www.bigbridge.org/100thousandpoetsforchange/ This show will be documented by audio, video, photography, and zine and Stanford University has decided to archive the event pages at http://www.100TPC.org as part of their LOCKSS program. Poets can post on the 100 Thousand Poets for Change website “Event Location Blog” and the “Community Poetry Wall” which is shared globally and is a great way to get the energy flowing for the big event. . Posting and sharing is open for all–even for those who cannot attend the show. So join the effort for CHANGE AND PEACE. Hope you can stop by on September 24th for a listen!
The Ego
The Ego
Needs to be broken into tiny little pieces
and fed to billions of people
so that all can be equal and share a common thought
=Compassion
The Ego
Needs to be pierced in the eye
with acupuncture needles and twisted
until the meridian flows of milky nectar
=Love
The Ego
Needs to be melted and smeared across continental lines
and flushed through sewers pouring into the center of the earth
where molten lava can scorch and harden around it like an island
=Hope
The Ego
Needs to be transformed by understanding and acceptance
shared through finger tips, crossing lips and forgiving arms
so that all can live together
=Peace
Here is the list of those reading/performing so far…
*We are asking participant to pick a 1 hr time slot to read and there will be a sign-up sheet at the show. We will try to accommodate everyone’s time preference but ask all to be flexible.
Poets:
Michael Castro
Elva Maxine Beach
Matthew Freeman
Mali Newman
Jon Dressel
Ann Haubrich
MK Stallings
Phil Gounis
Kamau ‘Black Falcon’ Baruti
Nicky Rainey
Howard Schwartz
Taylored Poet
Amanda Wells
K. Curis Lyle
Pamela Garvey
Stephine Russell
Maria Massey
Susan ‘Spit-Fire’ Lively
AP Pearson
Billy Foster
Susan Throwbridge Adams
Ben Moeller-Gaa
Lisa Odak Ebert
Katerina Canyon
Erin Wiles
Shane Signorino
Dena Molen
Deborah Mashibini
Erin Quick
Wanita Zumbrunnen
Alexander Balogh
Maria Balogh
Michael O’Brian
Kristin Sharp
Melissa Singleton
Hari Sky Campbell
Todd Woodruff
Shirley LeFlore
Marcia Cann
Percy Wells
Brett Underwood
Ruth-Miriam Garnett
Paul Thiel
Pat Piety
John Samuel Tieman
Kevin Cameron
Daniel Eberle-Mayse
Anna Ross
Byron Lee
Chris King
Louis Confliction
d katz
JoyCe Blue
Jennifer Fandel
Suzanne Roussin
Mary Ann Kelly
Michael Sullivan
**More TBA
POST YOUR POEMS HERE!
THE BALANCE OF EQUILIBRIUM
(Saint Louis, 2003)
Phantoms and comrades play backgammon
and one more teenager holds a gun. I yawn
at the clock ticking in the pale kitchen I am in
and the boy kills himself after
he kills himself.
Capitalists and priests walk
hand in hand licking fingers that flip
pages of sacred books made of ashes
while the desert dies and dies another
child sent off to blow out the candles.
Rain falls on these dark Saint Louis streets
and even the lights are wet with grieving.
I stay up and wonder if I could recycle
my choices, what would become of these bodies
that keep breaking like old trees in a storm?
I leave you in our crowded bed
sleeping and slip out of the room.
I can’t stay away from awake.
And I remember the other day when I found
one thousand pounds of Lebanese Liras
stuffed in my pocket since I can’t remember when,
and thought— even that’s not worth
a single American dollar.
HEAVY
(Gaza, 2009- day 13)
A child’s head
rests on the rubble,
body-less.
Blood-dried hair
sticks to her face,
eyes closed,
dreaming of peace
that comes too late.
FROM ACROSS THE ATLANTIC I BEG MY PARENTS TO LEAVE BEIRUT
(Saint Louis, 2006)
They’re afraid to lest
their homes are taken.
“It’ll be over soon
not that bad we’ll be okay,”
they lie over phone lines fat
with supervision.
They lament the tragedy of others
ashamed of their own safety
and for once religion expires
in the face of this temporary harmony,
where south is north,
and west Beirut becomes a mirror for its east.
And just as I begin to feel guilty for asking,
another echo explodes in the background
of our conversation,
and all I catch on CNN are glimpses of enormous
clouds of sky and earth suffocating,
and calls for sympathy away from the wounded,
‘measured responses’ said the news,
show me where and where and where
and where and where—
BEAUTY AND THE BEAST
(After Rachel Ray’s “controversial” scarf episode)
They come in blue and pink and yellow these days
Green and red also;
These scarves, perhaps, more to the point.
What happens when meaning loses the cause?
You wear it around your neck and pretend
You are “with it.”
Wait. First you buy it from a souvenir shop
In the Cedars or the capital city
Where the men killed their brothers for the sound of
Blood. Where they raped and dragged
These strangers by the hair.
Oh, I’m sorry, was that too painful to hear?
What I meant to say
What I meant to say
Was
I’m still trying to understand
How this is suddenly okay.
I sit in a brown café at the corner
Of Saint Louis and Beirut, a regular
Coffee with room for cream on my right,
Red fingernails typing,
And behind these windows
A black man runs to catch the bus.
What was that again about the thirty-minute chef?
Where the news and hands up
To point in accusation
At the checkered scarf she wore
Promoting fear when all she wanted
Was to sell me a donut.
The threads of resistance don’t smell like perfume.
SENSE OF BI-LONGING
Generation of Kolthoum
And Radiohead.
Fairuz and Julie Andrews.
Sage-leaf tea bags and vodka/Redbull
Solar evenings and red armies
Headphones and ipods and ice-cream colored
Cases I belong to generation Bi-longing.
Generation of long distant phone-calls and distances
Traveled in cars and cigarettes blurred
Into prayer.
Generation of double tongues and double shots
And a large Starbucks to go.
Slippery apples and cage free eggs
Vegetarian carnivores and carnivorous
Pets.
We sit together high fives and sixes and sevens
Bracing ourselves from the towers of these stilettos
Raw and pink and these albums are bent
All crammed into finger-sized shufflers
And we
All crammed into finger-sized fingers
Shoved down our thoughts to throw up
What we read for dinner to keep our bellies
Flat, our nails manicured to cover the yellow.
She was like the Pyramids they said, and Fairuz
To Beirut was a landmark.
They had drunken-ness in their voice and tears
And timelessness in their song and rapidly
Shifting oceans and glitter and the maddening
Eyes of lovers.
We speak in monochromes and these new art collections
Photographs store them
In black and white and color and color
The ones that fade and keep them
Only these will remain after more trees
Are demolished and buildings are planted
And more bricks are watered
And painted green and brown and blue birds
Where the world is perfect and the sky
Will eventually get used to it.
SAINT LOUIS, SUMMER 2006
Smoke crawls out of our mouths
When we gather around dinner with friends
and speak about religion only
we’re not speaking about religion
it’s politics we fight over and
that large bearded man who’s going
to hold our hand and walk us to the depths
of falling or the heights of palm trees
One by one O Jesus must save us then!
There’s Merlot and tabbouli wrapped
in lettuce leaves wrapped in the juices
that make it our own. And us wrapped
in our own thick waters and our own
hornet nests yearn to spill wine all over
the carpet, put down our plates of rice
and fish— but instead we smile at each other like adults
taught us when we were younger
to smile at each other and give each other
breaks and let go of the snakes that come
creeping from inside our mouths like tongues
leaking corpses across the coffee table
because now we’re having dessert and the hour is late
and the news channel is off but we’ve all come
prepared with reading
from our different sources reading only the pages
that we find applauding like us—
so clever like the governments we lack
and what’s wrong with mother America and what’s wrong
with Babylon and like the tower wanting to reach heaven
we all stand against each other arms folding knees whispering
small screams in each other’s ears
pulling and tugging— pushing and dragging
at our cigarettes— but no one smokes in this tired red room
we throw our fears at each other quietly apologizing quietly
drowning our bodies in our own dead seas.
Poets reading at the RAC:
Michael Castro
Elva Maxine Beach
Matthew Freeman
Mali Newman
Jon Dressel
Ann Haubrich
MK Stallings
Phil Gounis
Nicky Rainey
Howard Schwartz
Taylored Poet
Amanda Wells
K. Curis Lyle
Pamela Garvey
Stephine Russell
Maria Massey
Susan ‘Spit-Fire’ Lively
AP Pearson
Billy Foster
Susan Throwbridge Adams
Ben Moeller-Gaa
Lisa Odak Ebert
Katerina Canyon
Erin Wiles
Dena Molen
Deborah Mashibini
Erin Quick
Wanita Zumbrunnen
Alexander Balogh
Maria Balogh
Michael O’Brian
Kristin Sharp
Melissa Singleton
Hari Sky Campbell
Todd Woodruff
Shirley LeFlore
Marcia Cann
Percy Wells
Brett Underwood
Ruth-Miriam Garnett
Paul Thiel
Pat Piety
John Samuel Tieman
Kevin Cameron
Daniel Eberle-Mayse
Anna Ross
Byron Lee
Chris King
Louis Confliction
d katz
JoyCe Blue
Jennifer Fandel
Suzanne Roussin
Mary Ann Kelly
Michael Sullivan
Jim McGowin
Becky Ellis
Kd Washington
Ken Brown
Lenny Smith
Jim Mroczkowski
Perry Barrow
Janie Ibur
Scottie Addison
David Claire
John Macenulty
Uncle Bill Green
Vincent “Ackurate” Manuel
Treasure Williams
**More TBA
Multi-Breed: Past, Present or Future
(Realizing there was no box for multicultural persons on American Census)
What if one day you look in the mirror
and you are nothing like the person
you have portrayed yourself to be in society?
That you are
A multi-breed of a human being with
No country
No ethnicity
You embody a culmination of heritage from many different
Continents
Bloodlines
The lines of who you are now have blurred so
Clear
Transparent
A culture that no one can
Tag
Label
Because nothing like you has ever existed
Oh, the people’s fear of mixing liquids is so great
Although, many have fought to do so quietly in their
Beds
Homes
Blending silken woven eggs in warm shells of womb
Not Permitted
Taboo
Yet all of these creations passed down through
Genes
Generations
The one that was believed to be damned for sins committed for not
“staying with your own kind”
Doctrines
Beliefs
If you look close enough in the mirror
Look deeply into you own eye
Around the pupil
Into the various colors streaming from the
seamless circular line that forms the globe
You will see that you are
All
One
Past sacrifices for love given in a single moment created
You
Man Wearing White Shirt & Dark Slacks in Tiananmen Square
He is a man of courage, who does not run away,
but remains at his post and fights against the enemy.
~Socrates
A dull image on the television in ‘89
& I jumped, startling my friend
Who sd, Fuck man!—I turned
the volume up.
I perched, a quiet bird watching
the parade of tanks heading east
Beijing’s Chang’an Boulevard.
Avenue of Eternal Peace
Near Tiananmen Square,
South end of the Forbidden City,
Yesterday’s blood drying,
on the concrete.
Gritty pictures—
Of red-starred PLA tanks
Saluting cannons, rolling
Toward the man wearing a white shirt & dark slacks,
with grocery sacks, standing
in the lonely street.
God himself
Shuddered & everything
Fell apart. I began to cry.
Me & my friend stayed
Glued to the screen. This man,
Unknown to anyone,
Held sway over us, the tanks,
the whole God damned planet.
Eerie quiet so complete,
We could hear electricity in the TV,
Our dark eyes drawn, the scene
Unfolded, focused—
Hypnotized by the man wearing a white shirt
& dark slacks carrying his grocery sacks.
Rumbling tanks pivot right,
& so he shuffled right
Thundering tanks pivoted left,
& so he shuffled left
then
the tanks
just
stopped.
He climbed up the lead tank, stooped
To its port—called inside, no one today
Knows what words he sd.
I like to imagine, something:
Go away, you’re not welcome.
Around the square, students &
Carnivals of workers—hotel persons, shopkeepers, & street vendors, confusion—
—Panic in the streets
Shot-up bodies lay twisted in bicycle metal, blackened buses, blood-soaked
Pavement—the occasional pop-pop-pop of gunfire
Echoing, chanting:
We are the Beijing Journalist,
We demand press freedom—
We demand the right—
to tell the truth!
We thought the old regime would fall,
It wouldn’t.
Something uncontrollable happened.
The man on the tank disappeared in a flash, pulled from the street
By men in blue?
By the government?
Jailed executed disappeared
By the people?
Shuffled to safety
I don’t know, still don’t know,
May never know—
Wang Weilin
The Tank Man
Man wearing a white shirt
& dark slacks, carrying grocery sacks
Spoke for the masses, silenced
An enduring image everyone heard.
– T.R. Woodruff
The Fog of War
Susan Lively
How can you see
through this blood haze?
Oh, if you could only,
freeze the frame.
Oh, it must make you crazy –
the fog of war.
How can you see
through this blinding hate?
Do you tell yourself
that this is fate?
Oh, it must make you crazy –
the fog of war.
How can you see
through this crippling pain?
Is this how you’ll do it,
again and again,
the fog of war.
How can you see
through these lies?
When you cover your ears,
and close your eyes –
the fog of war.
How can you rationalize?
Torture, and murder, and death,
evil, and greed, and threats.
Who is this you?
Why is this so new?
Don’t act like you’ve never met
the fog of war.
How can human beings,
choose to kill all their humanity?
Why do human beings,
want to kill all of humanity?
Why didn’t I see it before?
We’re just here to settle a score.
Ah, it is the fog of war.
Life, life it isn’t a game.
Filled with passions
you cannot tame,
and enemies that
you cannot name –
the fog of the war.
There is no one,
no one to blame.
Can’t you see?
We’re all the same.
Can’t you see?
We’re all insane –
the fog of war.
Taking your last breath,
choking and choking
your heart to death.
Ah, my friend,
it is the end,
it is the fog of war.
The Pac Man
by Michael O’Brian
I am the Pac Man.
I eat all I can.
Consuming the whole earth is my master plan
We dam all the rivers to catch all the fish.
Damn those people whose only wish
is to get one full meal every day
or to make two dollars in daily pay.
I am the Pac Man.
I eat all I can.
Consuming the whole earth is my master plan.
I scoop mountain tops to burn the coal,
and I want all the copper, the silver and gold.
Where there once was a mountain
now there’s just a big hole.
I am the Pac Man.
I eat all I can.
Consuming the whole earth is my master plan.
Chop down all the trees, pollute the seas,
It’s all in the name of the GDP.
We’ve got to grow the economy
in this consumer society.
I am the Pac Man.
You can’t spoil my plan.
Not Batman, Superman, Spiderman, any man
or human race can slow my pace.
I am the Pac Man.
I eat all I can.
Consuming the whole earth is my master plan.
I don’t give a damn.
I’m American.
RECIPE FOR HALLELUJAH
Take Mississippi after
its native peoples have all been disappeared,
lynch the intelligent men
of color, form the women into a choir,
add the Bible, translated,
assassinated African idioms
disguised in murky backbeats
no white man in Mississippi could fathom
(let’s leave Elvis Presley out
of this …) and make it sweat its ass in the sun
until it ripens, or explodes.
-Chris King
[Written in the 7/11 form innovated by Quincy Troupe.]
by Deborah S. Katz (Debi)
Certain phrases in this found poem were influenced by the
Constitutions of Iraq, Iran, and the United States of America.
We are the people
We are ocean, coral, and setting sun horizon
upon this land, upon this soil,
we are ancient forests, sunrise, seeds,
and harvest of the land between two rivers
just risen from our stumble,
pioneers of civilization, crafters of writing,
looking with confidence to the future,
promoting progress,
we are inhabitants of horizons of oceans,
we establish justice and cast aside politics
of aggression.
The constructive role of this belief,
upon this sunrise upon this land, ordains
and establishes this Constitution,
in order to form a more perfect union, we,
inhabitants of habitats between horizons,
spread a culture of diversity,
we take lessons from yesterday, we defuse
terrorism. We are the inhabitants of habitats
between horizons.
We are the writers and poets of the land
between two rivers. We of habitats between
oceans between horizons,
we inhabitants are gaining peace and strength
striving to reject violence in all forms. We are
the responsibility.
We are the planet. We, the terra firma, air
and water. This land this soil this harvest.
Between horizons, between oceans,
we are the habitats, we are the inhabitants.
Advanced Search
You can apply garlic paste
on the affected parts directly
to accordion pleated overload
causes tiny cracks minimally
in 3,000 degree heat when
each button plays two different
old English pantomime
modifications usually founded
upon the first European known
to step foot in Newfoundland
fiercely in search of livestock
and a 27 percent increase
in second-quarter income
to pillage and plunder parasitic
behaviors in the outcome.
Funding and experimentations
of mind control
have been part of
the Departments of Defense,
Labor, Veterans Affairs,
and the CIA swears to this day
that nothing beats the smooth
smoking experience
of a genuine corn cob pipe. The key
is perception. The fantasy of one
exciting rail ride transformed
some 1,200 applications filed
each year in the course of
a term of the Supreme Court
of the United States.
By Deborah S. Katz (Debi)
Sentinels of the Sky
By Wanita Zumbrunnen
In a sky, night dark with a half moon,
with street noises forgotten
fading in the vast
vertical thrust as the sentry stands high,
its floors stacked
its edges balcony rounded
only an random lighted open window
for most remain closed,
still, looking up
towards the sky
This silent alien life force towers above
the street, the open bar, ignoring
people as if they were mere insects
milling about, attracted by lights
given grace to move around
flit along surfaces
to the music in the night
Beneath giant granite behemoths stand
in homage to who knows
what power waiting
as the collection of them
scatters through the city sky
in night-trained armed units,
at the whim of a warlord
way beyond the wistful keening
of those
who would ask why
When a sufficient number are attached
to the earth’s surface, will they lift up
it’s wayward children
or explode
the earth into pieces
endlessly wafting
in the weightless waters of the sky.
“wholly holy holey”
by Jim McGowin
there are those adept at seeking out the alien and different,
blind to similitude,
those who so easily run into the buzzsaw maw of
rent anger and smoke filled sky, fueled only by vague mythos
and monster truck intent,
ignoring the downtime possibility of dream, of exhilarant pow-wow
and pillow, trading instead for pill-pops and cheap thrills
hidden in the dark of windows and drawn shades,
would rather tear down the mountain
just to obliterate all the other paths to the top,
find it better to torch the grain that feeds one mouth to keep from another,
divvy out the chaff to the unbelievers.
always the talk of love and peace, and piety and pity,
but demonstrated only thru superior blunt force trauma,
diameter of bullet crater, length of flesh parabellum.
“we are the chosen alphas of this dirt pile!” cries the reptilian brained
nylon sack from the pulpit, red faced, the pack roaring in delight,
pupils dilated and fixed upon salvation thru salivation,
terrorists of the worst sort, hijackers of choice,
grown so big and strong, sucking the paranoia marrow of
militant ancestors, gulping crude, belching racist jokes,
one hand on sacred tome of choice, the other on silicone jiggle.
blossomed into fearful beasts ready to claw and break jaw
at the most minor offense or incidental glance.
‘what are you looking at boy?’
banded together, a psychotic beehive, stinging the air,
singing gleefully ‘only the like minded thru these golden doors,
others need not apply, now bring us some whores!’
violent pathologies settled for,
celebrated with copulatory undulations of squeaky clean sheet and genitalia,
fabric softener fresh w/the scent of false flowers
to offset guilt-ridden dirty mind projectors.
hypocrisy? lies? surprise!
what should be expected from devout followers
of imaginary paradox and pseudo sound waves,
bullet for your thoughts? as you hang there on your cross?
make sure everyone can see the nails are real!
all worship the day glo man!
spray paint images of prophets onto warheads with cute humanitarian slogans such as
‘hey hey the BANGS all here!’
coordinate automobile bumper sticker gangs promoting
agenda of white wash triumph and paper tigerisms.
every raindrop that falls from their sky is ambivalence,
all their pretty rainbows are colored with
blood, bile, jaundice, gangrene, cyanosis and fresh bruises.
mouth bullhorns, blasting out polished jackboot conformity,
in the guise of being liberated
rally up the group mind, you, the sheep!
the more the merrier, the more the scarier!
to all of this, i can only say one thing:
let them all drown when their blessed flood waters come
o lordy lord,
let them all drown in their own holy gravy
and leave the rest of us alone
Well Rested
by Elva Maxine Beach
How do they sleep at night?
Soft skin wrapped like jewels in silk and satin pajamas, heads resting on feathers
in their oversized beds, which cost more than months of daycare
for a struggling parent, who shares her room with her children,
who is grateful for last night’s leftovers.
How do they find peace, alone, before sleep,
knowing their bonuses,
their short-sighted decisions,
their cheap labor in foreign lands,
their abstractions handed to us like facts,
crash markets, kill families, foreclose homes,
push people to the brink of bankruptcy, suicide, desperation.
What do they dream about?
Do they sleep soundly, waiting for the next day’s golf game?
Have they shielded themselves well enough to not know,
to not care, the people’s backs whom have built their mansions
are breaking? Don’t they know nice clothes, long vacations,
big houses, private schools are
laid on the foundation of working class people
who worry at night about their mortgages, rent, safety, food, utilities…
don’t they know
their foundation is cracking?
Do they say prayers of thanks for bailouts and blind eyes and ignorance and apathy?
How do they awake? Refreshed, and full of vigor,
ready for the next behind-closed-doors meeting
with a senator or congressman, who’s campaign trail
needs paving with their well-rested greed.
Shock Treatment
by Elva Maxine Beach
When I was thirteen
skinny legs, pigeon toes,
tow headed and innocent
looking, like the girl next door,
I listened to the Ramones’
“Gimme Gimme Shock Treatment”
and vowed to never ever
become victim to the 9-to-5 world
my parents revered.
I swore I’d rather be crazy
than be sane enough to sell
my soul to the soul-less.
Black leather clad Joey, Johnyy, DeeDee sang my anthem.
I stopped wearing bras, cause
no institution was gonna dictate
to my nipples.
I coined the term “store-bought punks”
to refer to those middle-class kids
who bought their torn jeans at shopping malls.
I was the real deal, the holes in my clothes were authentic.
That was many moons ago.
Varicose veins now wind up my thighs,
my big belly bursts beneath my oversized shirts.
Daily I pluck whiskers, gray eyebrows, discover new wrinkles.
The Ramone men are falling down dead.
I’ve been on and off the grid at least 10 times.
I’ve pretended to buy the corporate plan;
I’ve traded in my politics for that easy
escape hatch from the working class dead
end I was born in to.
I’ve also played the bohemian, hippie chick
whose laid back, go with the flow attitude
is nothing but the beard I wear to hide my
Type A tendencies.
I listen to NPR and Billie Holiday
and pray I’ll land another job
that pays ALL my bills
and offers health benefits.
(shhh…you can keep your soul if you’re quiet about having one;
you may lose your soul if you tire of trying.)
Music In The Air
By Phil Gounis
Keeps slept under the stairs
he did not speak
a word
in his mind
Keeps would repeat
the same Prayer
night after night
it was night most of the time
& freezing when it rained
which was all the time
still
Keeps was faithful
to the duty
of keeping hope
& bright expectation
intact
the day after Thanksgiving
as dawn cracked
Keeps awoke on his knees
& heard a commotion
up above his head
he reached upward
& felt the belt
of an escalator,
then he knew
that his petitionary days
were over
( first published in Soulard Culture Squad Review #1 ,1986)
workers in the world
By Phil Gounis
the bus was parked out by the tree
we were inside where we could see
the people walk, the people pass
the money men first, the torn children last
we are all workers in this world
we all labor, we all toil
your boss is my boss
your lay-off is my job lost
the only pay, the only dough
is to understand & know that I know
that there’s no contract or no plans
except to share the burden & do what you can
I was out in the rain looking for work
aimlessness you can’t ignore or shirk
I was out in front so I knocked on the door
it just opened & closed, nothing more
we were all searching, we were all in need
people’s faces said,” I’m human… I bleed.”
there was grime on their hands & tears in their eyes
there were people joking & laughing in suits & ties
we are all workers in the world
we all labor, we all toil
your boss is my boss
your lay-off is my job lost
WILL YOU FEEL SAFER
by María T. Balogh
If I don’t linger
in your bookstore aisles
flipping pages
or taking extra time
finding the correct
size or color in your
department store
if I don’t feel
the fabric texture
of the pants you sell
forcing you to pretend
to work nearby
neglecting your job
to keep an eye on me
Will you be at ease
if I don’t call your
business phone
and ask you in
accented tongue
to clean my house
to fix my washer
to mow my lawn
to work in my yard
to mend my shoes
Will you be surprised
if I reveal to you
my occupation
if I tell you
of my hobbies
if I am not pushing
a custodian’s cart
or holding a mop
broom or brush
and I am instead
about to lecture
at a science convention
Madison
by John K. Blair
She has a smile
meant only
for me
I think
As we laugh at another one
of my silly jokes
over the lettuce
she chops for dinner
A good catholic girl
from back east
she attends Sunday mass regularly
and offers grace before meals
I feel uncomfortable
when she nods her head for prayer
an eternity of silence
that lasts for only a few minutes
It reminds me of
the absence of words
that led to my parents’ divorce
in the winter of ’79
I’m amazed at the two years
we will have together
next month
in our little duplex in Madison
Her folks have become ardent
in their suggstions
that we set a date
for the wedding
sweet apple tea (for linda panikowski)
by John K. Blair
the hint of sweet apple
she adds to my tea
compliments the cinnamon
i was afraid would overwhelm
my simple taste
her sensibilities, as usual
prove more reliable than mine
it’s very good, i mumble
embarrassed by my earlier remark
that i wanted coffee instead
she hints at a laugh
but chooses to smile instead
while offering me a piece
of her homemade sugar cookies
that are my favorite
in an hour or so
we will be attending
an art show that contains
some of my photographs
she doesn’t know are of her
they are from our trip
to bar harbor last june
watching the sunset
over the docks
where i told her i loved her
for only the umpteenth time
that day
(america)?
By Michael Sullivan
America, half blind to speak
half deaf to hear—
your sights
unseen by lauders,
unheard by faithful.
America what a pernicious fulcrum you’re resting on:
what listless actors,
what hollow audience.
America your rouge is smudged,
your mascara drippy.
‘America woke me up
in a dream,
said I had been writing
in my sleep.
It made Her cry.
There was an academic
executioner turned exiler
and America left me
for my best friend.’
Something’s been lost;
the world is trembling—
my skin is trembling
from hearing words
that can never be written again…
(and there was so much else that needed to be said then,
and now—nation of perpetual noise—
now—June 3rd, 2011—
now, words have learned to fly off
on wings of lacerated tongues.)
Look, this responsorial
need not be an empty page,
and even if it’s true that nothing can ever really be said,
I’d sooner suffocate from manic exasperated attempts of expression
than become a drunken hermit
in my cave of things and cynicism.
You’ve stiffed yourself
America.
America,
America?
are you imaginary?
are you Santa Claus?
are you Hallmark?
are you Disney?
are you Pornography?
are you a Rock?
a Dimesack?
a Used Bottle of Hair Bleach?
America are you dieing?
America why aren’t you answering?
America I saw you disregarded
in a thrift store bin.
America I hear an echo.
America no one cares about flying or burning
your flag anymore;
cops are no longer pigs,
except we are all still niggers and spics.
America can’t you write a love song anymore?
Is it true that only bad guys carry guns?
America have you come up with a good enough slur for the muslims yet?
‘Have you heard?
They stopped playing
America on the radio.’
America will you turn that shit off!?
America my car’s broken down again.
America yesterday your stock was up 26 and ¾ points.
Hey
America! your children can buy adventure on the internet now.
America are you a sum of people—
of personal minimum wage celebrities?
America I don’t want to pay taxes;
I want a 3D HD Flatscreen TV.
America what’s a suspension bridge?
America what is a bundled derivative?
Wikipedia can’t quite tell me…
America what do tulips look like?
Who you callin’ fagot
America?
When did you start wearing a bra
again
America?
America when will dinner be ready?
America when did you get “GRIME”
tattooed on your placid thighs?
Did you stop working out?
You’re arms are getting pretty flabby.
America I’m having problems
keeping my eyes open,
how much for a cup of coffee?
America,
America?
Why aren’t you saying anything?
Though tainted and diseased
with corn manure poison,
your aquatic veins are still pulsing
and I swear I’ve heard them sing
before…
but the speakers are blown out
and the repairman’s out of business.
Poetry is not commodity,
America—
MFA will not save you:
MFA—Mother-Fuck
America.
Love is not commodity,
America:
I lost
rose lip
idol eyes
in a sea of
rose lip
idol eyes
and it only cost me 11.99
and one day perusing boutiques,
treading through malls,
wondering why they don’t hire life guards
to protect 14 year-old catalog girls
and their “are you going to rape me now?” mouths.
God is not commodity
America:
I see you, you naïve atheist,
you capitalist christian bastards.
Words are scary
but please, please listen to them again,
please speak them again.
You’re gonna leave me looking foolish,
America,
begging for your lips and earlobes
…please
America, please.
Value
By Deborah Mashibini
One little life
Just ended
on my windshield.
If multiplied
by the number of specks
I see
the toll is staggering.
A toll that has nothing to do
with turnstiles
or highway maintenance fees
and everything to do
with the speed
at which I move.
Weighing the cost,
in lives,
is something I somehow
neglected
to consider
until now.
Published in the Harwood Anthology, Old School Books, Albuquerque NM 2006
25 Cents
By Deborah Mashibini
All the man asked me for
was a quarter,
and here I am tripping.
All caught up in my assumptions
about who he is
where he’s been
and what my little 25 cents
or lack thereof
might do
to change his destiny.
The man did not ask for
my opinion.
He didn’t ask me to save him
or damn him
all he asked for
was a fraction
of what it costs me to wash one load of clothes
and I ain’t even going to the laundry mat today.
I know I lost at least
that much in gas
the last time I filled up
trying to squeeze one last drop
in the tank.
It makes me wonder
what exactly it is
about this man
that makes my little 25 cents
mean so much more to me
just because he asked.
Published in Untamed Ink. Lindenwood University, 2008
To Have Peace
By JoyCe Blue
I got arrested for peace disturbance yesterday morning,
I went to get my unemployment check
and they said I had depleted my allowance
that I was not eligible for any more funds
so I got angry, got loud and got no results
then I went crazy and to jail,
didn’t get no peace there either.
when I got out and got home,
I found that the public was selecting at random
the remains of my life’s pieces,
cause while being in jail and unemployed
I got evicted.
so I took the left-overs and a bus
to go to my mother’s home
for shelter, comfort, and warm mother’s loving strokes
to help sooth me so I could continue to seek peace
but mother was being taken away
by white men in white clothes
to a place where people get peace from pills and needles
and the county pays, providing she don’t stay too long.
so I went to a pay phone to call a blast from my past
cause I was gonna beg for peace
but the number had been changed again.
realizing how many things have so drastically changed,
I hung up the phone and my bright ideas
and went to sit in the park to think for awhile
but a man with a knife came up to me
and demanded of all things
a piece of my female anatomy
so with a knife at my throat
I gave up a piece of myself
and when the white men in white clothes found me
I was well on my way to meet the peace maker
at heaven’s gate
to get some for-real peace
for absolutely free.
Published in Where we can read the wind, VSA Missouri, 2011
My First Lay Off
By JoyCe Blue
Friday the 13th, birds are chirping, the sky is clear
it’s my last day on the job
we’re having a barbeque
old friends are here.
the food tastes delicious,
good-bye, good luck and best wishes;
I’m smiling all the time
so no one can see what’s really going on inside of me,
I feel like a kid
when your mom decides to tell
that there is no real santa claus
she thought you’d take it well,
and she is surprised to see you cry.
What They Didn’t Say
By Dena Molen
It’s what THEY say, they say, if you accept the technology, your
descendants will grow a nub, this is what they say when they say
cut out the carbs-no-digest the word, they’ve said so, so they say
listen to Oprah and they will have a say, on who gets the Oscar, of
course, they have never asked him- who they are, though they might
live in Hollywood or D.C., they have been known to say not to smoke-
and we fume, weren’t they those who struck the match while
breastfeeding they say, will grow wiser children than those who
listen to what they say, and they say, and they
have said, to accept what they say,
so as to,
forget to ask,
who are they?
THESE STATES
By Pamela Garvey
Honey faced and hoarse, our children
throw small pumpkins like grenades
to take down signs, splatter
strangers’ yards. One trips an alarm.
Skeleton masked, they bolt
daring one another to set fire
to a full trash can.
Next to it, the nursing home’s
bed bound peer through the latticework
of a fire escape, their absentee ballots
like kindling amid magazines and old news
around the edges of their beds.
It is election night and so wind swept
the pollsters forecast low turnout, a landslide.
Sugared up with his friends, my son
said he never meant it to happen. His lantern
was the first to explode against the can.
His friends were playing war like on television.
They elected him president.
INTERVIEW WITH A MOTHER OF PLAZA DE MAYO, ARGENTINA
By Pamela Garvey
What was it like then?
In the plaza my anger turned
into a long skirt, glasses
and slippers.
What did you think of?
Not hoods or heavy chains, not the bearable
truth of a body, not cold,
not planes over the ocean, sharks, cold waters.
What was that like?
I hovered always
at the epicenter. As if gravel
were suddenly winged.
I had to march.
What did you think then?
I was a slit down the belly.
Nothing.
Could you speak then?
The white kerchiefs blazed.
Could you speak out loud?
I walked a billboard.
And now?
Once I felt joy. This was as old as
pots on the fire, straw in the mattress.
There was a boy
whose laugh was diamonds.
He was my breath’s arrow.
A creature wild as a river. I wish
I could drown in his rushes.
A log, loitering. A wind, less
than a whisper.
By John Samuel Tieman
if asked to judge
my age I’d say we wasted
our best years on war
from Nam to Iraq we saw
the whole world through sniper scopes
A Concise Biography Of Original Sin
By John Samuel Tieman
I’ll tell you a little horror story.
There’s nothing people won’t do.
We’ve seen the squad snap
at attention, heard the colonel
cry “Ready!”,
and though we looked away,
we too took aim at the heart.
It’s always been like this,
the muzzle, a puff of smoke,
someone muttering “Justice, justice …
__________
You ask me why times are worse.
In just a moment of utter stupor
we ignore the beggar’s gray sore,
ignore the slow tolling bell,
skim over articles on death.
I hear there’s fresh air somewhere
or a woman I might someday love,
but here I smear my door with blood,
for wise men pray for the plague
and a black fog fills the streets.
__________
Having failed in similar endeavors —
the 2nd wife, the last war, even
some tortures — the colonel turns
to you for help.
A single wick still flickers.
In a corner cell, there at the wall
your prisoner stares — the priest
for hours without a sound;
an executioner be shadow light
watching this one breathe
in, out.
But that’s last night’s story.
The creature is no more; now you
look weary, very weary from your work.
__________
Now climb the next rise and stand back.
See — who would have guessed?
Shadows so frail they fade,
a small boy plays a requiem
flute, ivory white, while you knot
promises of venom, chants, wet grass.
At My War’s Wall, A Vietnam Requiem
In Which The Veteran Accepts The Dead
By John Samuel Tieman
Your resurrection destroys all
our years of silence. Still it
happens, a hang-round, Chi-Com grenade,
an AK maybe, RPG, these initials scribbled
in that last after-action report, your DD forms
that slam closed that file like this, that
silver casket. Now your name forms part of a wall,
the final record, as if Taps is static.
As if my days groan on now
like some beast of burden
drawing the plow through the padi.
The padi has a name I remember
no one knows now, no one remembers
that my burden is a name, your name
simple as black granite — Hank,
Pete, Greaser. No one speaks
as we spoke of home then, a woman,
a commune for dope smoking Nam vets.
Our clothes clean. Our skin healed.
Our languor brutal, brutal and pure.
I pause. I walk away.
I am so alone, so alone
with the wall that became your name.
Let the years do with us as they will.
Let the birds of prey alight.
Who can kill you?
I will wear your name like a bracelet.
I will make flutes from your bones.
For A War Buddy After Taps
By John Samuel Tieman
What can we say, buddy?
So much we could tell
we’ll never tell —
the look of wheat after
we ate bullets to come home,
the look of a woman for who
you’d kill to love again,
the way the sun falls on
that patch, so they say,
nailed to the dink kid’s skull.
Listen. Maybe we’ll say
What’s it like, a theater
of war, I’ll tell you: the hole
in his throat measured
only a fraction and tags
they IDed measured
say a square inch each;
the citation resembled
his diploma
and the VA donated
a simple modest slab;
some pals paid respects
from all across town
and all the way from LA
his fiancée. Around the grave
they formed a circle of pain
which made infinity
small. And I’ll not measure
that last lament
heard only by God that night.
Or maybe we’ll say–Listen!–
we’ve never seen a C-section
and cancer, but we’ve seen
this innocent kid in shreds
and we know it was no mistake.
Passchendaele
By John Samuel Tieman
A party of ‘A’ Company men passing up to the front found … a man bogged to above the knees. The united efforts of four of them with rifles beneath his armpits made not the slightest impression, and to dig, even if shovels had been available, would be impossible, for there was no foothold. Duty compelled them to move on up to the line, and when two days later they passed down that way the wretched fellow was still there; but only his head was now visible and he was raving mad.
Major C. A. Bill
Fifteenth Battalion
Royal Warwickshire Regiment
A man raves against God. And war
among its faces
turns just one to you, the face
which is your own, your own.
It’s not the kind of place that would worry
you in the usual June, your uniform manly,
your brass polished, sharp, so proud you
would recite your unit’s history as if
it were a canto in its own Iliad.
But that was 1914, when freedom was measured
in the medals instead of the dead.
To look at it, there isn’t much
of a ridge to speak of, 250 feet high,
its only claim to fame being
a splendid view of Flanders for which
544,897 die (maybe 4,700 a day)
give or take a half-dozen divisions.
What you have heard is true.
3:10 AM, 7 June 1917, Messines Ridge.
In preparation for the larger offensive,
1,000,000 lbs. of TNT detonated
along 5 mi. of galleries dug
under the Germans. By 3:11 AM,
20,000 dead. Survivors
mindless, infantile, gibbering.
The opening round. Then Passchendaele,
a funeral cadence of muffled drums —
Hill 60, The Death Trench, Blood Chapel,
Ypres, Whitesheet, Hill 70, Goldfish
Chateau, the Vlamertinghe-Wipers Road —
a map no longer than a Mass card, requiem,
the litany of the dead angel of lead.
4,250,000 artillery shells fired
during the 1st 19 days alone. Alone.
A fact. And the fact of the matter is
simple: God is not on your side tonight.
And a man raves against God, earth,
man. To think of you decomposing
even as you speak, humus once more,
once more a few pounds of ground,
earth, the many faces of earth, one
of which is a tomb and the tomb is
at once both earth and man.
Like vertigo, you twist into the earth
and beg the sun to blind you. Instead
a sun spot burns a hole in a vision
you would kill if only you could
hang on till your mind gets right.
Who but a madman? Who but a madman?
Who but a madman would have imagined mud
enough to die in? Who but a madman would
put guns in the hands of all God’s children,
tell them stories of glory then kill them?
Who but a madman would imagine Ypres salient?
A man raves against God. And war
among its faces
turns just one to you, the face
which is your own, your own.
Your captain has his gas mask on,
standing near the sniper’s nest,
advising the sergeant-major never
to show his face here again.
Your sniper has no face, no mask. You
too will learn to burn out your eyes,
to take it like a man, to smother
under mud, to go mad like a man.
But what you thought was only darkness
has its own kind of light, like being
caught in a flare where the only terror
belongs to you: a German mortar crew
with nothing better to do than take aim
at you, just you, only you — there.
Besides the madness, there’s the woman,
there’s always the woman, delicate as a lie,
clean and white, someone the mud doesn’t touch,
not someone who runs like the meaning
of speech, but a woman, a woman, your woman,
the one woman in the world who could save you.
The one woman in the world you wish to die with.
Adrenaline. The word burns the very marrow.
In a moment no longer than a flare,
in the time it takes a scream to reach
Sweet Jesus, among a hundred dead, another,
another man trapped in mud, another man then
another, another sniper takes aim, another
bullet goes astray and finds a home, the heart,
and the bullet will burst like a mortar in the gut
and the gut will turn to lead and the lead
to the rain, always a slow assault of a rain,
speechless as incest, shrapnel like a rapist,
definite as barbed wire, permanent as the front,
always the past turns its face to ebony rain
and tomorrow will be just like today.
__________
__________
Note:
Following the capture of Messines Ridge, the Battle Of Passchendaele, also known as the Third Battle Of Ypres, properly began on 31 July 1917 with a British push toward the Belgian coast. After four months, the British penetrated a total of only five miles into the German lines, this end point being the village of Passchendaele. The Germans recaptured all this within six months. The British pronounce this place “Passiondale”.
valhalla nirvana heaven
By Treasure Sheilds Redmond
we all saw the egg
at various stages
of its descent:
me from my lower window. the kids
from higher.
it hit the sidewalk
and as the shell
broke open, and life
spilled out,
i knew this was truth:
we are opague
and fragile as we zoom
past our lives
toward an inevitable
breaking,
toward a reason to leave
our shell behind,
to seep miraculous
into the valhalla
heaven
nirvana.
into a word that is only
a corruption of the original word.
into god’s blouse
as she cracks us open
like mussels on an otter’s chest.
transition is painless;
we are made of cracks –
it is our built in obsolescence . . .
and then we will see each other
shed of what separated us
our yolks will become one
and we will know heaven
heavenheavenheaven
heavenheaveneavenea
venevenevenirvenir
vana
ROTATE YOUR TIRES
Brett Lars Underwood, 2011
Negative Nellies and Sweet Polly Purebreads,
He-Men, bullhorns, underdogs, clicking mice and fraidy cats,
Cronkites, security cams and helmets, safety goggles and empathy
true love and gravel fucks
don’t stop the wars hawks drop and
the rain of bloody injustice in the dustbeltistan
as you flip through the channels and pages
looking for the rest
of the wrestling of your mind
in the high definition specs that
fail to capture the cosmic slop.
A wedding ring and the keys to the minivan
when daddy’s taken for a goose ride
and we’re all conked out like Mr. Van Winkle
makes no nevermind to the vortex or the fish tails because
The Viet Cong didn’t watch the Waltons
and Good Times so you could buy
cheap tee shirts and the scrap metal Coca-Cola cans
from a ground zero china shop away from the bull
of Wall Street.
So flit around in the mind of Billy Pilgrim
or pretend we fed turkeys to helpless savages
and that the radios help us
consider all things in mid-commute from
cubicle to air-conditioned podcast twitter feed
facsimile of life.
Change your tires
Change your oil
Change of scenery
Change your mind
Change for a dollar
Loose change?
Sex change?
Feel better?
Well, if you weren’t full of shit,
you’d be changing your pants.
So there’s something.
If you think too much about the difference
between the damage you have done and the
frugality that you promise yourself,
remember that shrink-wrapped vegetables
and leaf-blowers ARE FUCKING RIDICULOUS!
…and so are you.
Ha!
Manageable decisions and necessary delusions
at all other times.
Or…
Is it reality for you?
History confirms our banality
stupidity
and destructive proclivities.
…and all the time pimpin’ is in effect.
You know what I’m sayin’
Bitch better have my money!
Take a dose of satire when needed.
Baffle the dumb-ass.
Kiss a smart-ass of your liking.
…and prepare to be chastised.
Take care of yourself.
The only real control we ever
have
and need
is with self…
and the self is a fallacy.
…BUT! when you can manage,
remember
the only commandment,
according to that bag lady in the cathedral:
DON’T BE AN ASSHOLE!
Oops!
Too late?
Well, here’s this:
Focusing on what you don’t want
brings it to you.
So watch out!
You’re gonna die.
Self-Portrait with Personal Notes for Miss Lucille
By Melissa Singleton
Dab the oil behind your ears.
Two drops on each side.
Clary sage, Palmarosa,
Bay, Mugwort, and Clove.
Add a touch of patchouli and grapefruit.
Assert the force within you.
You’re still breathing.
Forget there are such things
as death, disease and fear.
Forget decay. Forget
a chest heavy with rocks,
back heavy with slime.
Know this: no matter what
(chaos, horror, despair) happens
in between,
some days you will rise
and walk the earth
and be the Strongest Thing
you’ve ever seen.
Los Alamos
By Debra L. Edwards
They applauded themselves
for their timing,
to be a part of history
in the making,
taking leave of their sanity
to excess their senses
for the goodness of state.
They dug themselves a cesspool
and rendered the ultimate thrill,
a 56 million dollar blow job,
and a guilty conscience still
trying to buy forgiveness.
©Copyright Debra L. Edwards 1998
I’m Tired of Turning the Other Cheek
By Debra L. Edwards
I always thought that I was born gifted.
and if given space to adventure, maybe I’d find
a certain peace of mind to help lift
the burden of being born in the wrong time.
You see, I searched far and wide and did not seek
to hide what I am and trying to be.
In fact, the further I went the closer I came to me.
to the four corners of the earth and back I would fly.
I experienced the senses of every race.
and almost believed I achieved universal love.
But the grand façade cost a price I chose to rise above.
For the right to be nice I refuse to debase.
And though the gifts I bear are still intact,
I can no longer deny the fact that I am tired
of trying to love, and be loved by a white world
which has no heart to visualize the power and beauty
of one well intentioned black girl.
©Copyright Debra L. Edwards 1998
The Orphans
By Debra L. Edwards
They roam the highways and byways,
Outlaws, bandits and desperadoes,
in search of escape from flight.
Riding their winged stallions
with motorized hooves
they speed along through vast wastelands.
Conquering wind, air and dust
blazing trails of hope
and trampling pasts of trust,
repeating their journey over and over again
until all direction is lost.
And where once stood a clear vision
now stands erected a maze of trails
with no destination.
They sail the seas and oceans
pirates riding the waves of expectations
searching for another horizon
to give meaning to endless movement.
Neither loving anchored sanctuary,
nor foundations of wants needs, compassion,
dwelling only to excrete their haste.
And where once glistened a sea of hope
an ocean of love,
now arises a bottomless mass
of drained aspirations.
They are not to blame
for their journey starts from whence they came.
All that lies within their paths
are their shadows distorted by their fury.
Their anguish, their lust for
their lost and secret treasure.
They are the orphans of fate
in search of silver phallic and golden wound
their faith in humanity that was tossed to the winds,
Scattered and abandoned unto obscurity.
They are their mysteries questing peace
from silver phallic and golden wound,
legendary creators of hearth and home.
©Copyright Debra L. Edwards 1998
Change
By Debra L. Edwards
It is said to be all that is constant
But I know no such truth.
I have been as I am for so long.
I do not know how I was before.
Or shall be later.
I know my imperfections.
Some of them I like.
They give me character.
But I want to lessen the flaws.
To lighten the load.
Of belonging to this world.
Yet loving the individual.
For the solitude.
That so often enraptures me.
I perceive change as evolution.
And I am where I started.
When I discovered I was here.
And that movement is only secondary.
To motivation.
You have to care.
Or there is no purpose.
Just empty actions.
But my caring has not gone.
Beyond questioning.
Has not taken physical form.
In action or influence.
I have not touched or been touched.
To the point of change.
Perhaps I am too lusty.
And should flow.
From a simple touch.
Rather than wait and wait.
And wait for the heavy impact.
Wait until my stomach
cracks from hunger.
Wait until I too
can not afford the heat.
Wait until I am barren
because I can not afford it either.
Wait until diplomacy
has united world corruption.
Wait until the bomb
drops ay my doorstep.
How can I be so personable?
About what is not mine?
I think perhaps the only time
my life was mine
was when I survived birth.
And my will to live.
Gave me life.
But from that point on
I became “everybody”.
I laughed, I cried
I hungered, I feasted
I was cold, I was warm
I hated, I loved
I gave, I received.
So what is change?
To do it all better.
To even the odds for
the “not everybody”
To market and distribute the good
and recall the bad.
To create a balance of humanness.
I have come to know the problems,
An evolution of our better selves
will solve them.
©Copyright Debra L. Edwards
Utoya
By Cris Gualberto
Upon the waters,
my life closes
falling into blackness
waves
screams reverberating
my silence lisping
Eliza, Eliza
Faces now obscured
Crashing into voids
Is this dying?
Is this death?
Submerging into the depths
Mother
I see you.
I see everyone.
Drowning
Thoughts becoming whispers
Eliza, Eliza
I am reaching outwards
A last
Touching
Wait for me
Await
So faint
Light
Eliza,
Eliza
I am coming
From Misrata
By Cris Gualberto
Our arms upraised
Our voices a single scream
We have set the world ablaze
Now, there is a new dream.
No longer will we suffer.
No longer shall we cry.
Once, they called our homeland, “Mother.”
Now, we only see their lies.
We do not fear their hatred.
We shall not conceal our pain.
We stand before their bullets.
We stand before their flames.
Our hopes are the chasm.
Our lives are the call.
The past is ever a phantom.
Let all tyranny fall.
We have seen our fathers die.
We have seen our children weep.
Our beloved dead now lie
within the vast desert’s sweep.
Yet, our struggle is only beginning.
The dream shall never cease.
Libya’s blindness is now ending.
Now is the season of her release.
Triptych: Crows
By Jon Dressel
i
They came roistering through the city
every day at dusk, finished with
their pillaging in fields of corn
to east, and bound for woods out to
the west to make a roost for night;
they were part of the darkening of the sky.
They came at first by fours and fives
but soon great squadrons filled the air,
circling, swooping, rasping caws,
descenders peeling by the drove
to rest in clusters like black fruit
atop the shade trees of our yards.
We watched through windows, then went out,
like shamans of some threatened tribe,
to drive them on with banging pans.
ii
When the virus hit, West Nile they named
it, brought to our parts harboring plague,
they took the brunt. Better they
than we, we it struck us, as they died
by thousands in the woods and fields;
we read it in the papers, heard it
on the news, stood witness with each
twilight as they wasted down;
then they were gone. We did not miss
them them early on, we still had starlings
robins, sparrows, brilliant cardinals,
mottled doves, birds of the neighborhood,
not intruders, little in their presence
to stir rufflings of unease.
The pans hung silent on our walls.
iii
We sensed it slowly, vaguely, a strange
vacancy at dusk; we almost
grieved lost clusterings of blackness
in the trees. And when at last
by twos and threes, we spied them
in the evening sky again,
we felt a quickening of heart,
as if something gone vagrant in
our being was returning, tentative,
probing, bent on repossession of
its place in our blood scheme.
And now, as dark matures each day
we mark their slow and sure increase,
at peace with their resurgent presence,
armed against it, pans to hand.
Let’s hear It for Goliath
By Jon Dressel
who never asked
to be born
either, let alone
grow nine feet
tall and wind
up a metaphor;
fat chance he
had of avoid-
ing the shove
from behind;
his old man
no doubt gave
him a sword
to teethe on,
and a scout
for the Philistine
host probably
had him under
contract by
the end of
junior high;
it was a fix;
and who wouldn’t
have cursed
at the sight
of that arr-
ogant runt with
the sling, who,
for all his
psalms, would later
buy one wife
with a hundred
bloody pecker-
skins, and another
with a King’s X
on Uriah; bah,
let’s hear it
for Goliath, a big
boy who got
bad press but
who did his job,
absorbed a flukey
shot, and died
with a thud.
Day in the Sun
By Leonard Smith
Dedicated to the alien and other intelligences in a planet much like Earth
Introduction
Accept the dichotomies or wear them, embody them, be them.
once, common knowledge knew
Xtians atheists were, god deniers.
thought changed: Xtians claimed their square.
common knowledge knew new atheists and accepted
heresy as a babe in arms
So conditions worsen—it can only get worse on the downward path.
Silly me—waves surge if winds will;
strength ascends as weakness falters;
the spiral around somewhere is here.
its one planet, many people, as
blue Tara celestial space-bus powered by whale song
glides her present route in the Milky Way
arriving here every moment
sure as pulse, true as tomorrow
misadventures and accidents
join the fossil record.
Atlantis the space shuttle
enters the past with vinal Jeffersonian starships
tagging about fat thick rockets and heavy footed dinosaurs
are heavy fun so high til expansion
ends with a “Pop” and our tents
and our cities need clean water, and this is natural
and we are natural, we are nature’s eye,
controlled or controlling, moving out in
trains planes cars and boats material excretion
as true as the chambered nautilus shell
moving up or down substantial earth at sea with itself
and wholely spirit so naked so invisible
so into every breath, each passage, each sweep
of the long arm of the fan doing the wave
divisible as errant pathways, divergences, curiosities
odd seeking dreams take flight, take wing like
feathered beings learning to flock
like us on a good day in the sun
riding in blue Tara celestial space-bus
powered by whale song in the Milky Way
whether you want to or not.
9/21/11 lds
By Ben Moeller-Gaa
afternoon heat
wasp shadows
in the curtains
By Ben Moeller-Gaa
cicadas
tornado sirens
cicadas
By Ben Moeller-Gaa
tornado sirens
finally
something to talk about
Audobon
By Susan Trowbridge Adams
September 2011
The answer to violence is not silence.
The need for peace is not met by tact.
(Music is honest always, but that’s a code).
Stare. Get out your binoculars, your microscope,
and develop an eye problem. Look but don’t touch.
You break it, you buy it.
Say what you know, with your cheek turned.
Be what the radio broadcast ought to be,
News:
I am white, and American.
No one can celebrate a difference
they refuse to notice.
“All men are created equal” is not “We are all the same.”
If you are a physicist, if you are black, or Latino,
if you speak Tagalog, if you have raised sons,
If you till your fields behind a water buffalo,
If you have been married, if you are male,
If your hips do not ache in your sleep,
Then you are not me.
This is a beautiful thing.
When we choose to bird-watch the rest of humanity
we can celebrate.
We can become xenophilic, we can leave others tranquil
to do as they must.
Philistines:
By Susan Trowbridge Adams
1976
The idiot who told the story
to the moron who reported it
must have been insensible
or dreaming
Perhaps he was not even attending
because obviously
Goliath won.